Presunti spoiler sui primi due episodi.
https://x.com/RohitViratFan58/status/2065133066176381135?s=20
Da quel che ho colto finora, la stagione si prospetta spettacolare, ma se ci aspettiamo maggiore fedeltà al testo martiniano rimarremo delusi. Condal ha scelto di riempire i vuoti e le ambiguità di F&B ricontestualizzando alcune trame e personaggi. Per esempio, c'è da aspettarsi che il declino di Rhaenyra venga motivato su basi di fanatismo religioso, tema che nel libro non le riguarda.
Personalmente, ho fiducia almeno che la fanfiction di Condal sarà scritta meglio di quella di D&D.
The time between the notes relates the colour to scenes,
A constant vogue of triumphs dislocate man, so it seems,
And space between the focus shape ascend knowledge of love
As song and chance develop time lost social temperance rules above
Then according to the man who showed his outstretched arm to space,
He turned around and pointed revealing all the human race,
I shook my head and smiled a whisper knowing all about the place
Jon Anderson & Steve Howe (Close to the Edge)
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms… or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
George R. R. Martin (A Game of Thrones)
The measure of a life is a measure of love and respect,
So hard to earn, so easily burned
In the fullness of time,
A garden to nurture and protect
It's a measure of a life
The treasure of a life is a measure of love and respect,
The way you live, the gifts that you give
In the fullness of time,
It's the only return that you expect
Neil Peart (The Garden)
Ernest Hemingway once wrote, ‘The world is a fine place, and worth fighting for.’ I agree with the second part.
Andrew Kevin Walker (Seven)
In this game that we’re playing, we can’t win. Some kinds of failure are better than other kinds, that’s all.
George Orwell (Nineteen Eighty-Four)
Poi non parliamo delle solite dichiarazioni su Rhaenyra e Alicent
Trovo francamente questo adattamento un disastro al pari di GOT
"Power resides where men believe it resides. No more and no less."
https://x.com/rhaenicentfiles/status/2065747977390440510?s=20
Probabilmente l'ipotesi più credibile uscita finora sull'episodio concettuale.
The time between the notes relates the colour to scenes,
A constant vogue of triumphs dislocate man, so it seems,
And space between the focus shape ascend knowledge of love
As song and chance develop time lost social temperance rules above
Then according to the man who showed his outstretched arm to space,
He turned around and pointed revealing all the human race,
I shook my head and smiled a whisper knowing all about the place
Jon Anderson & Steve Howe (Close to the Edge)
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms… or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
George R. R. Martin (A Game of Thrones)
The measure of a life is a measure of love and respect,
So hard to earn, so easily burned
In the fullness of time,
A garden to nurture and protect
It's a measure of a life
The treasure of a life is a measure of love and respect,
The way you live, the gifts that you give
In the fullness of time,
It's the only return that you expect
Neil Peart (The Garden)
Ernest Hemingway once wrote, ‘The world is a fine place, and worth fighting for.’ I agree with the second part.
Andrew Kevin Walker (Seven)
In this game that we’re playing, we can’t win. Some kinds of failure are better than other kinds, that’s all.
George Orwell (Nineteen Eighty-Four)
https://www.hollywoodreporter.com/tv/tv-reviews/house-of-the-dragon-season-3-review-hbo-1236620995/
Recensione di The Hollywood Reporter che definisce gli episodi tre e quattro "i migliori della serie finora".
The time between the notes relates the colour to scenes,
A constant vogue of triumphs dislocate man, so it seems,
And space between the focus shape ascend knowledge of love
As song and chance develop time lost social temperance rules above
Then according to the man who showed his outstretched arm to space,
He turned around and pointed revealing all the human race,
I shook my head and smiled a whisper knowing all about the place
Jon Anderson & Steve Howe (Close to the Edge)
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms… or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
George R. R. Martin (A Game of Thrones)
The measure of a life is a measure of love and respect,
So hard to earn, so easily burned
In the fullness of time,
A garden to nurture and protect
It's a measure of a life
The treasure of a life is a measure of love and respect,
The way you live, the gifts that you give
In the fullness of time,
It's the only return that you expect
Neil Peart (The Garden)
Ernest Hemingway once wrote, ‘The world is a fine place, and worth fighting for.’ I agree with the second part.
Andrew Kevin Walker (Seven)
In this game that we’re playing, we can’t win. Some kinds of failure are better than other kinds, that’s all.
George Orwell (Nineteen Eighty-Four)
Recensione senza spoiler della premiere di Taormina.
The time between the notes relates the colour to scenes,
A constant vogue of triumphs dislocate man, so it seems,
And space between the focus shape ascend knowledge of love
As song and chance develop time lost social temperance rules above
Then according to the man who showed his outstretched arm to space,
He turned around and pointed revealing all the human race,
I shook my head and smiled a whisper knowing all about the place
Jon Anderson & Steve Howe (Close to the Edge)
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms… or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
George R. R. Martin (A Game of Thrones)
The measure of a life is a measure of love and respect,
So hard to earn, so easily burned
In the fullness of time,
A garden to nurture and protect
It's a measure of a life
The treasure of a life is a measure of love and respect,
The way you live, the gifts that you give
In the fullness of time,
It's the only return that you expect
Neil Peart (The Garden)
Ernest Hemingway once wrote, ‘The world is a fine place, and worth fighting for.’ I agree with the second part.
Andrew Kevin Walker (Seven)
In this game that we’re playing, we can’t win. Some kinds of failure are better than other kinds, that’s all.
George Orwell (Nineteen Eighty-Four)
Intervista di Backstage a Ryan Condal su HoD.
C'è un passaggio interessante sulla rimozione di Aegon e Viserys dal Gullet:
"Is there a specific instance where you were really torn about what to do in terms of adaptation, and how did you eventually land where you did?
A great example is, during the Battle of the Gullet in the book, Rhaenyra [Emma D'Arcy] sends her two youngest sons with Daemon [Matt Smith], who in the show [are aged down], and the eldest one is not yet ready to fly his dragon; he flees and warns the Sea Snake. It's a really visceral and memorable scene in the book. But, going into Season 1, we took 30 years of history and decided, "We're going to make it 20,” because, at some point, it becomes too broad and vast. And while that got us out of having to recast everyone, it also meant the youngest kids in the story either didn't exist yet in the timeline or were that much younger. So Rhaenyra and Damon's kids are basically toddlers, and, in television, toddlers are not characters—they’re props. You're dealing with the practical concerns of, these kids can't act because they're 4-year-olds, it’s not safe to have them do stunts, and you can't create a CG kid and make it realistic.
We also felt that the Gullet [in the show] became so much about Rhaenyra’s loss of her son Jace [Harry Collett] that it felt like too much trauma at once. So all these things factored into us saying, “We need to be responsible adapters and producers of television.” It was a much cleaner story to tell for this totally different medium that we have to engage with on a much more emotional level. It was a bummer that we couldn’t [adapt] that part of the battle, but we understand where that story goes, and we have a plan for it. We debated for a long time, and there was a lot of sweating and consternation in the room, but, ultimately, I think it was the right decision."
...Wild as a winter storm...
"Are we going home? [ ...] I want my horse. And I want applecakes and butter and honey, and Shaggy. Are we going where Shaggydog is?"
"Yes" Bran promised.
"Take me home!" Rickon demanded. "I want to be home!"
Un leak sulla seconda metà di stagione: https://x.com/mxn7q/status/2077340533047902241?s=20
The time between the notes relates the colour to scenes,
A constant vogue of triumphs dislocate man, so it seems,
And space between the focus shape ascend knowledge of love
As song and chance develop time lost social temperance rules above
Then according to the man who showed his outstretched arm to space,
He turned around and pointed revealing all the human race,
I shook my head and smiled a whisper knowing all about the place
Jon Anderson & Steve Howe (Close to the Edge)
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms… or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
George R. R. Martin (A Game of Thrones)
The measure of a life is a measure of love and respect,
So hard to earn, so easily burned
In the fullness of time,
A garden to nurture and protect
It's a measure of a life
The treasure of a life is a measure of love and respect,
The way you live, the gifts that you give
In the fullness of time,
It's the only return that you expect
Neil Peart (The Garden)
Ernest Hemingway once wrote, ‘The world is a fine place, and worth fighting for.’ I agree with the second part.
Andrew Kevin Walker (Seven)
In this game that we’re playing, we can’t win. Some kinds of failure are better than other kinds, that’s all.
George Orwell (Nineteen Eighty-Four)
